Haunted Pen
$50.00
Out of stock
 JOHN FERRENTINO
IN COLLABORATION WITH
JOE SILKIE
Castle Rock Elementary was where they found it. Right there in Miss Desjardine’s classroom. Leaning against the side of her desk, right where she always kept it. I remember how we would cringe when she reached for that thing. Miss Desjardine used the death of Lissy and how she roamed into the forest during the schools launch time and was never found again as a deterrence for us to never go into the woods.
Lissy had been sick for a long time and was being seen by a very unethical quake doctor.
Our school mates doubted the story that Miss Desjardine told about Lissy’s death and figured it was just another tall tale so one day a few students stole the teachers pen and figured that would ask Lizzy herself,
The message they got told a totally different story.
This effects uses not loops, strings ,magnets or batteries.
Included pad , gimmick and pen
This visual effect is really a show stopper, John Ferrentino has been performing this and the reaction is amazing.
Takes the place of a spirit slates
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Q & A
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Vince Wilson (store manager) –
I just want thank Chris Sipes for the amazing work he did in recreating Dr. Pritchard’s Box of Poison. It is handcrafted solid wood and has amazing secrets! Chris’ talent in technology allows you to see the final reveals from across the room. Amazing! Also, it includes an HH Holmes package inside. OH! It also has more reveals than ever. If you get one, IM me and I will tell you how to add more! Truly a marvel and I think easily customizable for any show. Make it a Ripper box, Titanic, Chicago Gangsters, witchcraft and more!
stephen.hill (verified owner) –
Whilst I have yet to “play” with my Poison Box (neighbours and locals beware!), I endorse Vince’s comments where I can. Most importantly of all, it really LOOKS authentic – but then, of course, it really did come from Holmes ‘s Murder Castle(!?!). It’s the sort of prop which adds the right amount of “atmosphere” to a performance; a mixture of intrigue, puzzlement, authenticity whist being ‘unsettling’. It’s very well constructed and aged. Importantly, it doesn’t betray the devilment that hides inside. As with all such props, it is what you the performer makes of it and with it that matters. Open the box and let it lead you – if you dare.